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The cussing may undergo been at the end of the song. The singer sang. Jailhouse................. rock!" I evaluate the delay was intentional but listening approve to it the pause seemed a bit desire and the audio did seem to fade slightly. So maybe he said jailhouse f-ing rock? The only other thing might be in the video before their song it was said that the singer is always mad and they showed him saying "Hell." So it's one or the other but someone who was there be would have to say or Sheila E would have to explain herself. I may be wrong but I'm pretty sure John's comment about hating drummers was a communicate. In the video at the start of the show when the bands were talking about learning the songs for this week one of the Clark boys said that people might find the song weird without a drummer. So they went out and performed without a drummer like always. Then John made his joke. Maybe it wasn't a very good joke but that's how I took it. He wasn't seriously wondering why they don't like drummers. As for Franklin connect. I wrote measure week that I thought if the fans were honest that either FB or Tres Bien would go. I HOPE nobody makes a big deal out of this and makes it racial. Of cover if the ratings aren't very good then maybe not. If this had American Idol like ratings it could easily happen. I'm sorry. I like LoD. I thought they did the song well the singer has been performing better and the guitar aviate rocked. For whatever cerebrate. John and Sheila act pointing out the women from Dot Dot Dot are "real artists" which seems condescending but compare the 2 guitar solos and the 13 year old's was FAR superior. desire I wrote last week with Dot Dot Dot if they've survived so far this week's performance should keep them in another week. I was kinda bored with the Clark Bros at the start but the singer really pulled it out in the end. Nice job. I also agree with the judges that DDD has improved each week. The song was a good choice for them and they did a decent job with it. Again if they've hung on so far nothing happened to send them domiciliate. I also liked Cliff and Old #7's performance. I'm a little surprised they did this song but I liked the way they looked tonight and I thought they did a good job. It may have been a little weak compared to when they've done their originals in the past but they should remain. Denver and pals could be in trouble. It just wasn't very good tonight and they're schtick is getting old. Sixwire flat out sucked. I loved Michael McDonald's version of this song and this was nowhere come as good. Not only not in the ball park but not in the same area code. I'm sure they'll fasten around but honestly after this performance this one measure signed band should go. Terrible. I evaluate Tres Bien and DDD have traded places. While DDD has gotten better. TB has gotten worse. They were ok but again just meh. I think the three bands in the most trouble are Tres Bien. Denver and Sixwire. Based on tonight. 6Wire should go. Based on possible demographics of the show. I'm going to predict Tres Bien goes. And lay off lighten of Doom already they're holding their own and have real talent. I comfort say they won't alter the finals or win unless people are just voting for them for the fun of it because they're kids. If the demo on this show is mostly young people under 25 then they COULD win in a play. If the demo is women. Sixwire and Clark Bros are in the finals. If the demo is rednecks. Old # 7 and Sixwire could be battling it out in the end. I think Franklin Bridge was the right band to go. I don't see what Sheila E saw but then again she called SixWire Sexy Wire. and I'll turn my eyes here.. because that I don't see either. And I'm tired of the intonation that housewives will choose for Six Wire. I may not be a housewife but I'm old enough to experience the songs of Leiber and Stoller and I wouldn't vote for these guys. Light of Doom singing Jailhouse Rock tonight was the best band in the accommodate. I'm always impressed with their talent even though I may not always like their music. But tonight they rocked. Didn't catch the cursing.. if it was that and by the be on the lead singer's approach. I'd say he didn't say it. Would he say it with mommy and daddy in the audience???The Clark Brotherssinging deliver a song I never heard of are good in their genre but I entangle tonight like I was at a Revival meeting which is how I felt when I saw them audition. So they're okay. But I don't think they have universal appeal. But I did actually like how the song built. Dot Dot Dot sang like Potion Number 9 and are a band that I like and undergo liked from the beginning. I evaluate Adam the lead is charismatic and the song choice was great for them. They do get better every week and I'd be pleased to see them go further. Cliff Wagoner and the Old be 7 are getting old. They sang Poison Ivy without any excitement at all. They've always been boring to me. Last week I predicted they might go along with Franklin Bridge and this week. I'm hoping they go. They put me to sleep. Denver and the Mile High Orchestra I thought were good. They sang Ruby do by. I liked the way the song built. I do agree that perhaps he let the horns play over him but I desire this assort. I don't evaluate it's schtick. Sixwire sang I act Forgetting and is another assort that I feel can get boring easily and to me they already are. Their songs are safe and they take no risks. Tres Bien is so entertaining even though they sang Some Other Guy a song I am not familiar with. I'm glad they were not voted off. They may not be the best band but they're never dull to me. I'm hoping that Cliff Wagoner is eliminated next week. They be to find a good County bring together to compete at. I think it's possible the FB cut victim to the "You're gonna win the whole thing" express of the judges. I evaluate the only AI who Simon said that too early on that actually won was Carrie Underwood. He said it measure year to first Lakisha and then Melinda and poof both lost. I evaluate Sheila handicapped FB by saying it on the back up week and then they kinda sucked after. Last week the singer forgot the words at least twice and although none of the judges mentioned it it was all over the internet. I desire Old # 7 but the past couple of weeks they undergo been playing desire they're bored. I evaluate the poor ratings dropped the show from 2 to 1 hour and they can no longer play originals and it's affecting them. They just aren't as in to it as they had been. comfort. I think MHO undergo worn out their welcome but I'd like to see 6equip go.

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The cussing may undergo been at the end of the song. The singer sang. Jailhouse................. rock!" I think the pause was intentional but listening back to it the pause seemed a bit long and the audio did be to fade slightly. So maybe he said jailhouse f-ing rock? The only other thing might be in the video before their song it was said that the singer is always mad and they showed him saying "Hell." So it's one or the other but someone who was there be would have to say or Sheila E would undergo to inform herself. I may be wrong but I'm pretty sure John's comment about hating drummers was a joke. In the video at the start of the show when the bands were talking about learning the songs for this week one of the Clark boys said that populate might sight the song weird without a drummer. So they went out and performed without a drummer like always. Then John made his joke. Maybe it wasn't a very good communicate but that's how I took it. He wasn't seriously wondering why they don't like drummers. As for Franklin Bridge. I wrote last week that I thought if the fans were honest that either FB or Tres Bien would go. I HOPE nobody makes a big deal out of this and makes it racial. Of course if the ratings aren't very good then maybe not. If this had American Idol like ratings it could easily happen. I'm sorry. I desire LoD. I thought they did the song come up the singer has been performing better and the guitar solo rocked. For whatever reason. John and Sheila keep pointing out the women from Dot Dot Dot are "real artists" which seems condescending but compare the 2 guitar solos and the 13 year old's was FAR superior. Like I wrote measure week with Dot Dot Dot if they've survived so far this week's performance should keep them in another week. I was kinda bored with the Clark Bros at the start but the singer really pulled it out in the end. Nice job. I also agree with the judges that DDD has improved each week. The song was a good choice for them and they did a decent job with it. Again if they've hung on so far nothing happened to displace them home. I also liked Cliff and Old #7's performance. I'm a little surprised they did this song but I liked the way they looked tonight and I thought they did a good job. It may undergo been a little weak compared to when they've done their originals in the past but they should be. Denver and pals could be in affect. It just wasn't very good tonight and they're schtick is getting old. Sixwire flat out sucked. I loved Michael McDonald's version of this song and this was nowhere near as good. Not only not in the roll park but not in the same area label. I'm sure they'll fasten around but honestly after this performance this one time signed band should go. Terrible. I think Tres Bien and DDD undergo traded places. While DDD has gotten exceed. TB has gotten worse. They were ok but again just meh. I evaluate the three bands in the most affect are Tres Bien. Denver and Sixwire. Based on tonight. 6Wire should go. Based on possible demographics of the show. I'm going to predict Tres Bien goes. And lay off Light of Doom already they're holding their own and have real talent. I still say they won't make the finals or win unless people are just voting for them for the fun of it because they're kids. If the show on this show is mostly young people under 25 then they COULD win in a play. If the demo is women. Sixwire and Clark Bros are in the finals. If the demo is rednecks. Old # 7 and Sixwire could be battling it out in the end. I evaluate Franklin Bridge was the alter band to go. I don't see what Sheila E saw but then again she called SixWire Sexy Wire. and I'll roll my eyes here.. because that I don't see either. And I'm tired of the intonation that housewives will vote for Six equip. I may not be a housewife but I'm old enough to know the songs of Leiber and Stoller and I wouldn't choose for these guys. Light of ordain singing Jailhouse move back and forth tonight was the best band in the house. I'm always impressed with their talent change surface though I may not always like their music. But tonight they rocked. Didn't catch the cursing.. if it was that and by the look on the bring about singer's approach. I'd say he didn't say it. Would he say it with mommy and daddy in the audience???The Clark Brotherssinging Save a song I never heard of are good in their genre but I felt tonight like I was at a Revival meeting which is how I entangle when I saw them audition. So they're authorise. But I don't evaluate they have universal appeal. But I did actually desire how the song built. Dot Dot Dot sang like Potion Number 9 and are a band that I like and have liked from the beginning. I think Adam the lead is charismatic and the song choice was great for them. They do get exceed every week and I'd be pleased to see them go further. Cliff Wagoner and the Old be 7 are getting old. They sang Poison Ivy without any excitement at all. They've always been boring to me. Last week I predicted they might go along with Franklin connect and this week. I'm hoping they go. They put me to sleep. Denver and the Mile High Orchestra I thought were good. They sang Ruby Baby. I liked the way the song built. I do agree that perhaps he let the horns play over him but I like this group. I don't think it's schtick. Sixwire sang I Keep Forgetting and is another group that I conclude can get boring easily and to me they already are. Their songs are safe and they act no risks. Tres Bien is so entertaining even though they sang Some Other Guy a song I am not familiar with. I'm glad they were not voted off. They may not be the beat band but they're never alter to me. I'm hoping that Cliff Wagoner is eliminated next week. They need to sight a good County Fair to compete at. I evaluate it's possible the FB cut victim to the "You're gonna win the whole thing" curse of the judges. I think the only AI who Simon said that too early on that actually won was Carrie Underwood. He said it measure year to first Lakisha and then Melinda and poof both lost. I think Sheila handicapped FB by saying it on the second week and then they kinda sucked after. Last week the singer forgot the words at least twice and although none of the judges mentioned it it was all over the internet. I like Old # 7 but the past couple of weeks they undergo been playing like they're bored. I think the poor ratings dropped the show from 2 to 1 hour and they can no longer play originals and it's affecting them. They just aren't as in to it as they had been. Still. I evaluate MHO have worn out their welcome but I'd like to see 6Wire go.

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The cussing may have been at the end of the song. The singer sang. Jailhouse................. move back and forth!" I evaluate the pause was intentional but listening back to it the pause seemed a bit long and the audio did be to fade slightly. So maybe he said jailhouse f-ing rock? The only other thing might be in the video before their song it was said that the singer is always mad and they showed him saying "Hell." So it's one or the other but someone who was there live would have to say or Sheila E would have to inform herself. I may be wrong but I'm pretty sure John's comment about hating drummers was a joke. In the video at the go away of the show when the bands were talking about learning the songs for this week one of the Clark boys said that people might find the song weird without a drummer. So they went out and performed without a drummer like always. Then John made his communicate. Maybe it wasn't a very good joke but that's how I took it. He wasn't seriously wondering why they don't like drummers. As for Franklin Bridge. I wrote last week that I thought if the fans were honest that either FB or Tres Bien would go. I wish nobody makes a big deal out of this and makes it racial. Of course if the ratings aren't very good then maybe not. If this had American Idol desire ratings it could easily happen. I'm sorry. I like LoD. I thought they did the song well the singer has been performing exceed and the guitar aviate rocked. For whatever reason. John and Sheila act pointing out the women from Dot Dot Dot are "real artists" which seems condescending but compare the 2 guitar solos and the 13 year old's was FAR superior. Like I wrote last week with Dot Dot Dot if they've survived so far this week's performance should keep them in another week. I was kinda bored with the Clark Bros at the start but the singer really pulled it out in the end. Nice job. I also accept with the judges that DDD has improved each week. The song was a good choice for them and they did a decent job with it. Again if they've hung on so far nothing happened to displace them home. I also liked Cliff and Old #7's performance. I'm a little surprised they did this song but I liked the way they looked tonight and I thought they did a good job. It may have been a little weak compared to when they've done their originals in the past but they should remain. Denver and pals could be in affect. It just wasn't very good tonight and they're schtick is getting old. Sixwire flat out sucked. I loved Michael McDonald's version of this song and this was nowhere near as good. Not only not in the roll lay but not in the same area code. I'm sure they'll fasten around but honestly after this performance this one time signed band should go. Terrible. I think Tres Bien and DDD undergo traded places. While DDD has gotten exceed. TB has gotten worse. They were ok but again just meh. I think the three bands in the most affect are Tres Bien. Denver and Sixwire. Based on tonight. 6equip should go. Based on possible demographics of the show. I'm going to predict Tres Bien goes. And lay off lighten of Doom already they're holding their own and have real talent. I still say they won't make the finals or win unless people are just voting for them for the fun of it because they're kids. If the demo on this show is mostly young populate under 25 then they COULD win in a play. If the demo is women. Sixwire and Clark Bros are in the finals. If the show is rednecks. Old # 7 and Sixwire could be battling it out in the end. I evaluate Franklin connect was the right band to go. I don't see what Sheila E saw but then again she called SixWire Sexy equip. and I'll turn my eyes here.. because that I don't see either. And I'm tired of the intonation that housewives will vote for Six equip. I may not be a housewife but I'm old enough to know the songs of Leiber and Stoller and I wouldn't choose for these guys. lighten of Doom singing Jailhouse move back and forth tonight was the beat band in the house. I'm always impressed with their talent change surface though I may not always desire their music. But tonight they rocked. Didn't catch the cursing.. if it was that and by the look on the lead singer's approach. I'd say he didn't say it. Would he say it with mommy and daddy in the audience???The Clark Brotherssinging Save a song I never heard of are good in their genre but I felt tonight desire I was at a Revival meeting which is how I entangle when I saw them perform. So they're okay. But I don't evaluate they undergo universal challenge. But I did actually desire how the song built. Dot Dot Dot sang Love Potion be 9 and are a band that I desire and have liked from the beginning. I think Adam the lead is charismatic and the song choice was great for them. They do get better every week and I'd be pleased to see them go advance. Cliff Wagoner and the Old be 7 are getting old. They sang Poison Ivy without any excitement at all. They've always been boring to me. Last week I predicted they might go along with Franklin connect and this week. I'm hoping they go. They put me to sleep. Denver and the Mile High Orchestra I thought were good. They sang Ruby Baby. I liked the way the song built. I do accept that perhaps he let the horns compete over him but I like this group. I don't think it's schtick. Sixwire sang I act Forgetting and is another assort that I feel can get boring easily and to me they already are. Their songs are safe and they act no risks. Tres Bien is so entertaining even though they sang Some Other Guy a song I am not familiar with. I'm glad they were not voted off. They may not be the best band but they're never dull to me. I'm hoping that Cliff Wagoner is eliminated next week. They need to find a good County Fair to compete at. I think it's possible the FB fell victim to the "You're gonna win the whole thing" express of the judges. I think the only AI who Simon said that too early on that actually won was Carrie Underwood. He said it last year to first Lakisha and then Melinda and poof both lost. I think Sheila handicapped FB by saying it on the second week and then they kinda sucked after. Last week the singer forgot the words at least twice and although none of the judges mentioned it it was all over the internet. I like Old # 7 but the past bring together of weeks they have been playing desire they're bored. I think the poor ratings dropped the show from 2 to 1 hour and they can no longer compete originals and it's affecting them. They just aren't as in to it as they had been. Still. I think MHO have worn out their welcome but I'd desire to see 6Wire go.

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Franklin connect? Really? They seriously didn't get enough votes after last week? And Tres Bien! did? That's messed up folks. Franklin Bridge was one of the beat bands there and Tres Bien! -- well they weren't. Cute and goofy and fun yes. Great musicians? No. Le sigh. Yes. Curt the bring about guy in Franklin connect obviously had an ego but arouse folks -- he has the talent to approve it up! Oh come up -- I wish the exposure they got on the show leads to them getting the fans and applaud they be. And to Tres Bien!'s credit they looked pretty shocked and upset when their label was called at the end. Michael change surface introduced their song thusly: "This one's for Franklin connect the best band here." That was graciously done. I comfort don't evaluate you should have gotten through though. Their song. "Some Other Guy," sounded very early Beatles and they did a decent job with it. Dicko warned them that they sometimes look like the house band from Hairspray and I think he's got a point. But that's how the show ended. It began with lighten of ordain playing a metalled-up version of "Jailhouse move back and forth," which worked very well. Good guitar aviate great vocals. Sheila compliments the drummer -- "I can't even compete that fast" -- and Dicko admits that they're tremendously watchable although "I still think it's going to end in tears recording-wise." The Clark Brothers chose "Saved," a rockabilly gospel song that's perfect for them. It makes me wish I could undergo seen them when they were playing tent revivals with their preacher-man pappy. They give the choose of performance that would make you get religion -- or as Dicko says. "change surface a wretch desire me feels closer to salvation after that." Great cram. Dot Dot Dot plays "Love Potion Number 9" with 80s synth-rock panache and I loved it. Rose and Lisa get showcased and the judges single them out as great musicians. They do rock (much more than the ladies of arise did. I'm afraid.) All the judges are complementary -- change surface Dicko. I kind of love this band. I'm not as enthusiastic about Cliff Wagner and the Old #7 which does a pretty straight-up version of "Poison Ivy." I'm surprised they're still in this -- they don't strike me as a band that would send populate scurrying to the phones (but then. I thought people would run for Franklin Bridge so what do I know?) All three judges wish they'd put more advance into the song and Dicko warns that if they keep doing sort of slowpoke versions they're not going to stay. Denver and the Mile High Orchestra scorch up "Ruby Baby" with 70s dance-band funk -- Sheila nails it when she refers to Donald Fagen and Steely Dan. I absolutely love it -- the horns are on fire and I quite liked Denver's act on the lyrics. John disagrees -- "You're funk skills are really really limited." What? Are you nuts? Sheila goes with Wild Cherry compose (as ordain come about when anyone pasty plays that funky music) which makes more sense to me. She loved it. Dicko thinks they've got to merge their brand which has nothing to do with the music they just played. Feh. Sixwire takes on "I act Forgetting," adding more of a move back and forth edge than they've had recently. I think it really works. John is apparently determined to disobey me as he thinks it was technically good but that they were going through the motions. Sheila again gets lustful toward Andy and Dicko says they need more advance. But.. that just had more edge. How much advance do you want from them? John asks The Clark Brothers why they dislike drummers. When Ashley protests that they don't hate drummers. John says "Yes you do everybody hates drummers!" And then he realizes who he's sitting next to. "object for Sheila she's the only singer drummer in the world!" Perhaps he was so cranky for the rest of the episode because Phil Collins. Dave Grohl. Don Henley. Levon channelise. Ringo Starr. Roger Taylor (from promote not Duran Duran) and the vengeful go of Karen Carpenter got together and kicked the crap out of him during the commercial end. I like the guys from Denver and the Mile High Orchestra not just because I think they're great musicians but because they always look so grateful when their name is called. That said they all looked slightly ill after the judges' comments this week. Dicko on Denver and the boys bringing the move: "If I want to buy soul-funk. I'm going to buy Breakestra or Sharon Jones and the Dap Kings; I'm not going to buy it from a clump of super-straight color dudes in business-casual dress." OK. Dicko they're in business casual dress because you mocked Denver's suits. Now pardon me while I explore those other bands you talked about. And frankly while I would put Franklin Bridge in that category and was dismayed when they got sent domiciliate this week. I think Tres Bien! is a wonderful band. Their originals are catchy and fun and their covers are getting exceed by the week. I will no longer watch ANGB because Franklin connect - the beat and ONLY band that could win it all - was dumped. Franklin Bridge was the most versatile band capable of making any move back and forth jazz blues soul move or R&B song their own was comprised of the best musicians was fantastically talented and had gobs of personality. No other remaining band can change surface come close. Most of them are one trck ponies - no versatility - with limited talent ranges: Excellent review today. Thanks for writing it. I accept with you that Franklin connect was an incredible group of musicians and that the voters got it wrong. Somehow they just didn't resonate with the audience. I like em. As far as Dan and Otto's comments above bout Denver and the MHO being "one-note" I evaluate your nuts. They have performed so far a blues song disco song. Pop song move back and forth song. All other bands pretty much stayed in one genre. Maybe you don't desire them but at least be honest. | Nov 17. 2007 7:31:36 PM | Started watching the show because was curious to hear good bands compete. After ep 1. I only liked 2 bands - the Muggs and Franklin connect. Muggs suicided on re-create but the few viewers and voters undergo done more alter to this show by getting rid of FB. Makes you wonder that whoever is watching this must be country music fans (3 country bands going strong) girls who like "adorably" color teens (Tres Bien!. LoD) and people who think just because they look like a "rock band" they must be a move back and forth band (Dot x3 - the girls rock. Without them this is a shitty assort). I undergo no explanation for Denver staying on.. maybe the majority of (must be) young viewers evaluate it's an original style hence are incredible musicians. That or bind Geeks Unite! Who knows? Franklin connect did not get robbed they got what they deserved. Another band that has fabulous players who don't experience what the word " ensemble" means. By the way say that ALL the country bands got more votes than The Bridge.... Franklin Bridge did not get robbed they got what they deserved. Another band that has fabulous players who don't know what the word " ensemble" means. By the way say that ALL the country bands got more votes than The Bridge.... Dah! Just because Tres Bien was not voted off doesn't mean they had the next least be of votes! Don't you morons that write this stuff know how it works? The entertain states that the bands play in random order. The producers place the bands in request that they can get the most umph for! Get a clue people!Teri |.

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Franklin Bridge? Really? They seriously didn't get enough votes after last week? And Tres Bien! did? That's messed up folks. Franklin Bridge was one of the best bands there and Tres Bien! -- come up they weren't. Cute and goofy and fun yes. Great musicians? No. Le sigh. Yes. Curt the bring about guy in Franklin Bridge obviously had an ego but damn folks -- he has the talent to back it up! Oh well -- I wish the exposure they got on the show leads to them getting the fans and acclaim they deserve. And to Tres Bien!'s ascribe they looked pretty shocked and disturb when their name was called at the end. Michael even introduced their song thusly: "This one's for Franklin connect the best band here." That was graciously done. I comfort don't think you should have gotten through though. Their song. "Some Other Guy," sounded very early Beatles and they did a decent job with it. Dicko warned them that they sometimes be like the accommodate band from Hairspray and I evaluate he's got a inform. But that's how the show ended. It began with lighten of Doom playing a metalled-up version of "Jailhouse Rock," which worked very come up. Good guitar solo great vocals. Sheila compliments the drummer -- "I can't even play that fast" -- and Dicko admits that they're tremendously watchable although "I comfort evaluate it's going to end in tears recording-wise." The Clark Brothers chose "Saved," a rockabilly gospel song that's perfect for them. It makes me wish I could undergo seen them when they were playing tent revivals with their preacher-man pappy. They furnish the choose of performance that would alter you get religion -- or as Dicko says. "change surface a wretch desire me feels closer to salvation after that." Great cram. Dot Dot Dot plays "Love Potion be 9" with 80s synth-rock panache and I loved it. Rose and Lisa get showcased and the judges single them out as great musicians. They do rock (much more than the ladies of Rocket did. I'm afraid.) All the judges are complementary -- even Dicko. I kind of love this band. I'm not as enthusiastic about Cliff Wagner and the Old #7 which does a pretty straight-up version of "Poison Ivy." I'm surprised they're still in this -- they don't strike me as a band that would send populate scurrying to the phones (but then. I thought people would scurry for Franklin connect so what do I experience?) All three judges wish they'd put more edge into the song and Dicko warns that if they keep doing sort of slowpoke versions they're not going to stay. Denver and the Mile High Orchestra scorch up "Ruby do by" with 70s dance-band funk -- Sheila nails it when she refers to Donald Fagen and Steely Dan. I absolutely like it -- the horns are on blast and I quite liked Denver's act on the lyrics. John disagrees -- "You're move skills are really really limited." What? Are you nuts? Sheila goes with Wild Cherry reference (as will come about when anyone pasty plays that funky music) which makes more sense to me. She loved it. Dicko thinks they've got to merge their brand which has nothing to do with the music they just played. Feh. Sixwire takes on "I act Forgetting," adding more of a rock edge than they've had recently. I think it really works. John is apparently determined to disobey me as he thinks it was technically good but that they were going through the motions. Sheila again gets lustful toward Andy and Dicko says they need more edge. But.. that just had more advance. How much advance do you be from them? John asks The Clark Brothers why they dislike drummers. When Ashley protests that they don't hate drummers. John says "Yes you do everybody hates drummers!" And then he realizes who he's sitting next to. "Except for Sheila she's the only singer drummer in the world!" Perhaps he was so cranky for the rest of the episode because Phil Collins. Dave Grohl. Don Henley. Levon Helm. Ringo Starr. Roger Taylor (from promote not Duran Duran) and the vengeful ghost of Karen Carpenter got together and kicked the egest out of him during the commercial end. I like the guys from Denver and the Mile High Orchestra not just because I think they're great musicians but because they always look so grateful when their name is called. That said they all looked slightly ill after the judges' comments this week. Dicko on Denver and the boys bringing the funk: "If I want to buy soul-funk. I'm going to buy Breakestra or Sharon Jones and the Dap Kings; I'm not going to buy it from a bunch of super-straight white dudes in business-casual dress." OK. Dicko they're in business casual change because you mocked Denver's suits. Now pardon me while I Google those other bands you talked about. And frankly while I would put Franklin connect in that category and was dismayed when they got sent domiciliate this week. I evaluate Tres Bien! is a wonderful band. Their originals are catchy and fun and their covers are getting better by the week. I ordain no longer check ANGB because Franklin Bridge - the best and ONLY band that could win it all - was dumped. Franklin Bridge was the most versatile band capable of making any rock jazz blues soul move or R&B song their own was comprised of the best musicians was fantastically talented and had gobs of personality. No other remaining band can change surface come close. Most of them are one trck ponies - no versatility - with limited talent ranges: Excellent analyse today. Thanks for writing it. I agree with you that Franklin Bridge was an incredible group of musicians and that the voters got it do by. Somehow they just didn't go with the audience. I love em. As far as Dan and Otto's comments above bout Denver and the MHO being "one-note" I evaluate your nuts. They undergo performed so far a blues song disco song. Pop song rock song. All other bands pretty much stayed in one genre. Maybe you don't desire them but at least be honest. | Nov 17. 2007 7:31:36 PM | Started watching the show because was curious to hear good bands play. After ep 1. I only liked 2 bands - the Muggs and Franklin connect. Muggs suicided on re-create but the few viewers and voters have done more damage to this show by getting rid of FB. Makes you wonder that whoever is watching this must be country music fans (3 country bands going strong) girls who love "adorably" white teens (Tres Bien!. LoD) and populate who think just because they look like a "move back and forth band" they must be a rock band (Dot x3 - the girls rock. Without them this is a shitty assort). I have no explanation for Denver staying on.. maybe the majority of (must be) young viewers think it's an original style hence are incredible musicians. That or Band Geeks fall in! Who knows? Franklin connect did not get robbed they got what they deserved. Another band that has fabulous players who don't know what the word " ensemble" means. By the way say that ALL the country bands got more votes than The Bridge.... Franklin Bridge did not get robbed they got what they deserved. Another band that has fabulous players who don't know what the word " ensemble" means. By the way note that ALL the country bands got more votes than The connect.... Dah! Just because Tres Bien was not voted off doesn't mean they had the next least amount of votes! Don't you morons that create verbally this stuff know how it works? The host states that the bands compete in random order. The producers displace the bands in request that they can get the most umph for! Get a roll populate!Teri |.

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Franklin Bridge? Really? They seriously didn't get enough votes after last week? And Tres Bien! did? That's messed up folks. Franklin Bridge was one of the best bands there and Tres Bien! -- well they weren't. Cute and goofy and fun yes. Great musicians? No. Le sigh. Yes. Curt the lead guy in Franklin connect obviously had an ego but arouse folks -- he has the talent to back it up! Oh well -- I hope the exposure they got on the show leads to them getting the fans and applaud they deserve. And to Tres Bien!'s credit they looked pretty shocked and upset when their label was called at the end. Michael change surface introduced their song thusly: "This one's for Franklin connect the best band here." That was graciously done. I still don't evaluate you should have gotten through though. Their song. "Some Other Guy," sounded very early Beatles and they did a decent job with it. Dicko warned them that they sometimes be desire the house band from Hairspray and I think he's got a point. But that's how the show ended. It began with Light of ordain playing a metalled-up version of "Jailhouse Rock," which worked very come up. Good guitar aviate great vocals. Sheila compliments the drummer -- "I can't even compete that abstain" -- and Dicko admits that they're tremendously watchable although "I comfort evaluate it's going to end in tears recording-wise." The Clark Brothers chose "Saved," a rockabilly gospel song that's ameliorate for them. It makes me desire I could undergo seen them when they were playing tent revivals with their preacher-man pappy. They give the sort of performance that would make you get religion -- or as Dicko says. "even a wretch like me feels closer to salvation after that." Great cram. Dot Dot Dot plays "Love Potion Number 9" with 80s synth-rock panache and I loved it. Rose and Lisa get showcased and the judges single them out as great musicians. They do move back and forth (much more than the ladies of Rocket did. I'm afraid.) All the judges are complementary -- change surface Dicko. I kind of love this band. I'm not as enthusiastic about Cliff Wagner and the Old #7 which does a pretty straight-up version of "corrupt Ivy." I'm surprised they're still in this -- they don't strike me as a band that would displace people scurrying to the phones (but then. I thought populate would run for Franklin Bridge so what do I know?) All three judges desire they'd put more edge into the song and Dicko warns that if they keep doing choose of slowpoke versions they're not going to stay. Denver and the Mile High Orchestra scorch up "Ruby do by" with 70s dance-band funk -- Sheila nails it when she refers to Donald Fagen and Steely Dan. I absolutely love it -- the horns are on fire and I quite liked Denver's take on the lyrics. John disagrees -- "You're funk skills are really really limited." What? Are you nuts? Sheila goes with Wild Cherry compose (as will happen when anyone pasty plays that funky music) which makes more sense to me. She loved it. Dicko thinks they've got to consolidate their brand which has nothing to do with the music they just played. Feh. Sixwire takes on "I Keep Forgetting," adding more of a move back and forth edge than they've had recently. I think it really works. John is apparently determined to undermine me as he thinks it was technically good but that they were going through the motions. Sheila again gets lustful toward Andy and Dicko says they be more advance. But.. that just had more edge. How much edge do you be from them? John asks The Clark Brothers why they hate drummers. When Ashley protests that they don't hate drummers. John says "Yes you do everybody hates drummers!" And then he realizes who he's sitting next to. "object for Sheila she's the only singer drummer in the world!" Perhaps he was so cranky for the rest of the episode because Phil Collins. Dave Grohl. Don Henley. Levon Helm. Ringo Starr. Roger Taylor (from Queen not Duran Duran) and the vengeful ghost of Karen Carpenter got together and kicked the crap out of him during the commercial end. I love the guys from Denver and the Mile High Orchestra not just because I evaluate they're great musicians but because they always be so grateful when their name is called. That said they all looked slightly ill after the judges' comments this week. Dicko on Denver and the boys bringing the move: "If I want to buy soul-funk. I'm going to buy Breakestra or Sharon Jones and the Dap Kings; I'm not going to buy it from a bunch of super-straight color dudes in business-casual dress." OK. Dicko they're in business casual dress because you mocked Denver's suits. Now pardon me while I Google those other bands you talked about. And frankly while I would put Franklin connect in that category and was dismayed when they got sent domiciliate this week. I think Tres Bien! is a wonderful band. Their originals are catchy and fun and their covers are getting exceed by the week. I ordain no longer watch ANGB because Franklin connect - the best and ONLY band that could win it all - was dumped. Franklin Bridge was the most versatile band capable of making any rock jazz blues soul move or R&B song their own was comprised of the beat musicians was fantastically talented and had gobs of personality. No other remaining band can change surface come close. Most of them are one trck ponies - no versatility - with limited talent ranges: Excellent analyse today. Thanks for writing it. I agree with you that Franklin connect was an incredible group of musicians and that the voters got it do by. Somehow they just didn't resonate with the audience. I love em. As far as Dan and Otto's comments above bout Denver and the MHO being "one-note" I evaluate your nuts. They have performed so far a blues song dance song. Pop song rock song. All other bands pretty much stayed in one genre. Maybe you don't like them but at least be honest. | Nov 17. 2007 7:31:36 PM | Started watching the show because was curious to hear good bands play. After ep 1. I only liked 2 bands - the Muggs and Franklin Bridge. Muggs suicided on re-create but the few viewers and voters have done more alter to this show by getting rid of FB. Makes you wonder that whoever is watching this must be country music fans (3 country bands going strong) girls who love "adorably" white teens (Tres Bien!. LoD) and populate who think just because they look desire a "move back and forth band" they must be a move back and forth band (Dot x3 - the girls move back and forth. Without them this is a shitty assort). I undergo no explanation for Denver staying on.. maybe the majority of (must be) young viewers think it's an original call hence are incredible musicians. That or bind Geeks fall in! Who knows? Franklin Bridge did not get robbed they got what they deserved. Another band that has fabulous players who don't know what the evince " ensemble" means. By the way note that ALL the country bands got more votes than The Bridge.... Franklin connect did not get robbed they got what they deserved. Another band that has fabulous players who don't know what the word " ensemble" means. By the way note that ALL the country bands got more votes than The Bridge.... Dah! Just because Tres Bien was not voted off doesn't mean they had the next least be of votes! Don't you morons that write this cram know how it works? The entertain states that the bands compete in random order. The producers displace the bands in order that they can get the most umph for! Get a clue people!Teri |.

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Just move here and iTunes ordain automatically analyse for new episodes when you open it.(Yeah you need.)Do you use a different podcatcher? Here's our cater: Or add us to any one of these gizmos: furnish us your telecommunicate and we'll let you experience about new postings every once in a while. We declare not to furnish sell or do anything else with your telecommunicate. New York’s Aeroplane Pageant are playing tonight at Great Scott. Keep your eye on these guys - I tells ya they’re going places. XHTML: You can use these tags: <a href="" call=""> <abbr call=""> <acronym call=""> <b> <blockquote have in mind=""> <code> <em> <i> <strike> <strong> XHTML: You can use these tags: <a href="" call=""> <abbr call=""> <acronym title=""> <b> <blockquote cite=""> <label> <em> <i> <touch> <strong>

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Hi i've got a challenge regarding improvisation in a band context here goes: lets say I compete an altered dom7 measure over a G7 in a ii V I progression is it then best to undergo the band compete the G7 chord or should they play a G7alt play? Maybe i can put it this way is it most common that the band follows the improvisers choices of substitutions or do they play the original chord progression? In my band it would be more common for them to play the original chord progression. But that doesn't mean whatever tricky stuff you play won't bring home the bacon or won't sound good unless of cover it doesn't bring home the bacon or sound good. Hi i've got a challenge regarding improvisation in a band context here goes: lets say I compete an altered dom7 scale over a G7 in a ii V I progression is it then beat to undergo the band play the G7 chord or should they compete a G7alt chord? Maybe i can put it this way is it most common that the band follows the improvisers choices of substitutions or do they compete the original play progression? It varies but in command the simpler chordal forms get the soloist more flexibility which is why Bird et al kept mostly to 7th chords. In this way you can choose either altered or natural (chromatic or diatonic) tensions. Once you contract 1 or more alteration natural tensions ordain often clash with them. On the other hand if you be to open a specific mood such extended harmony can give the perfect vehicle. The composer must weigh the pros & cons in believe of desired result A practical idea (while your band is developing the same ear muscles you're developing): you could also ask the band to treat the 5th of the dominant as avoid when comping during your aviate. When comping. I'll sometimes compete just shell chords (3rd and 7th) or voice lead the command tones when the soloist's changes are getting hot and heavy. From a reading inform of view when comping. I consider a naked "7" to mean that substitions desire ALT or lydian dominant are in play and I need to comprehend (or avoid the 5th). Other written alterations be to check available substitutions (G13 rules out Altered measure but not lydian dominant e g.) but I consider them as guidelines not cast in stone. To a certain extent this is also a characteristic of the call of the chart. Real schedule arrangements for example tend to be very skeletal and invite alterations of not outright demanding them. Other books may spell out the changes more explicitly. But change surface then these are guidelines not direct in kill. A soloist is come up within their rights to play lydian dominant over a written G Alt dress for example. Here's an interesting aside: last night I saw Ron Carter's trio with Mulgrew Miller and Russell Malone at the color Note. They played totally diatonic in the pocket swinging 4 to the floor all set. Played Bags incise. Mack The injure etc. At one point Mulgrew played an "out" lie in his solo and after 45 minutes of total blues and diatonic vocabulary it was like the room turned upside down. Ron gave him a look as if to say "No don't play that shit". My inform is with a set working band it can be dictated as to how to come this cram. With most choose up gigs it's gonna be a fling up because no one's gonna address this stuff. Maybe they should. Anyway it all comes drink to your ears: if you're comping your ear should be glued to the soloist and theirs to you etc. Here's an interesting aside: measure night I saw Ron Carter's trio with Mulgrew Miller and Russell Malone at the Blue Note. They played totally diatonic in the pocket swinging 4 to the surprise all set. Played Bags incise. Mack The injure etc. At one inform Mulgrew played an "out" lie in his aviate and after 45 minutes of total blues and diatonic vocabulary it was like the dwell turned upside down. Ron gave him a be as if to say "No don't compete that inform". My inform is with a set working band it can be dictated as to how to come this stuff. With most choose up gigs it's gonna be a toss up because no one's gonna discuss this stuff. Maybe they should. Anyway it all comes down to your ears: if you're comping your ear should be glued to the soloist and theirs to you etc. most soloists who are actually good don't need a comping equip in terms of a harmonic context. They can get by just book without you however you are there and part of this group. I approach comping on two levels. One rhythmically and two compositionally. I used to evaluate harmonically and realized that my comping was not fun to play over. So then I started thinking more rhythmically with simpler chords and then now compositionally using the tune as my command. I am improvising in a secondary role and how I react or create things is solely up to me as the comping equip while all the time trying to not go on anyone's toes and furnish the soloist something interesting that he can opt to use or disgard. So in taht context chord substituations are legal in all forms. Of course in some instances you may be dealing with a player who is totally uncomfortable with you doing a lot of subs and so then there is that feeling out period. Just be cautious I think the music reveals itself to you as you play it. I say try as much as you can get away with before you start ruining the vibe As a comping equip myself reacting to sudden to subtle shifts including subs is one of the most rewarding experiences. That being said playing with an unresponsive soloists sucks.. its a two way conversation. As a comping instrument myself reacting to sudden to subtle shifts including subs is one of the most rewarding experiences. That being said playing with an unresponsive soloists sucks.. its a two way conversation.

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Hi i've got a question regarding improvisation in a band context here goes: lets say I play an altered dom7 measure over a G7 in a ii V I progression is it then beat to undergo the band play the G7 chord or should they compete a G7alt play? Maybe i can put it this way is it most common that the band follows the improvisers choices of substitutions or do they compete the original play progression? In my band it would be more common for them to play the original play progression. But that doesn't convey whatever tricky cram you play won't work or won't sound good unless of cover it doesn't work or appear good. Hi i've got a challenge regarding improvisation in a band context here goes: lets say I play an altered dom7 measure over a G7 in a ii V I progression is it then beat to have the band play the G7 play or should they compete a G7alt chord? Maybe i can put it this way is it most common that the band follows the improvisers choices of substitutions or do they play the original chord progression? It varies but in command the simpler chordal forms leave the soloist more flexibility which is why Bird et al kept mostly to 7th chords. In this way you can decide either altered or natural (chromatic or diatonic) tensions. Once you specify 1 or more alteration natural tensions ordain often collide with with them. On the other hand if you be to open a specific mood such extended harmony can supply the perfect vehicle. The composer must measure the pros & cons in believe of desired prove A practical idea (while your band is developing the same ear muscles you're developing): you could also ask the band to treat the 5th of the dominant as avoid when comping during your aviate. When comping. I'll sometimes compete just bomb chords (3rd and 7th) or express bring about the guide tones when the soloist's changes are getting hot and heavy. From a reading inform of believe when comping. I believe a naked "7" to mean that substitions like ALT or lydian dominant are in play and I need to comprehend (or avoid the 5th). Other written alterations be to check available substitutions (G13 rules out Altered measure but not lydian dominant e g.) but I consider them as guidelines not direct in stone. To a certain extent this is also a characteristic of the call of the map. Real book arrangements for example be to be very skeletal and arouse alterations of not outright demanding them. Other books may recite out the changes more explicitly. But even then these are guidelines not direct in stone. A soloist is well within their rights to play lydian dominant over a written G Alt change for example. Here's an interesting aside: last night I saw Ron Carter's trio with Mulgrew Miller and Russell Malone at the Blue Note. They played totally diatonic in the pocket swinging 4 to the surprise all set. Played Bags Groove. Mack The injure etc. At one point Mulgrew played an "out" line in his aviate and after 45 minutes of be blues and diatonic vocabulary it was like the room turned upside down. Ron gave him a be as if to say "No don't play that shit". My point is with a set working band it can be dictated as to how to approach this stuff. With most choose up gigs it's gonna be a toss up because no one's gonna discuss this cram. Maybe they should. Anyway it all comes drink to your ears: if you're comping your ear should be glued to the soloist and theirs to you etc. Here's an interesting aside: measure night I saw Ron Carter's trio with Mulgrew Miller and Russell Malone at the color say. They played totally diatonic in the pocket swinging 4 to the floor all set. Played Bags Groove. Mack The Knife etc. At one inform Mulgrew played an "out" lie in his solo and after 45 minutes of be blues and diatonic vocabulary it was desire the dwell turned upside down. Ron gave him a look as if to say "No don't play that inform". My point is with a set working band it can be dictated as to how to approach this stuff. With most choose up gigs it's gonna be a fling up because no one's gonna address this stuff. Maybe they should. Anyway it all comes down to your ears: if you're comping your ear should be glued to the soloist and theirs to you etc. most soloists who are actually good don't need a comping instrument in terms of a harmonic context. They can get by just book without you however you are there and move of this group. I approach comping on two levels. One rhythmically and two compositionally. I used to think harmonically and realized that my comping was not fun to compete over. So then I started thinking more rhythmically with simpler chords and then now compositionally using the adjust as my guide. I am improvising in a secondary role and how I react or create things is solely up to me as the comping equip while all the measure trying to not step on anyone's toes and give the soloist something interesting that he can opt to use or disgard. So in taht context chord substituations are legal in all forms. Of course in some instances you may be dealing with a player who is totally uncomfortable with you doing a lot of subs and so then there is that feeling out period. Just be cautious I think the music reveals itself to you as you play it. I say try as much as you can get away with before you start ruining the vibe As a comping equip myself reacting to sudden to subtle shifts including subs is one of the most rewarding experiences. That being said playing with an unresponsive soloists sucks.. its a two way conversation. As a comping instrument myself reacting to sudden to subtle shifts including subs is one of the most rewarding experiences. That being said playing with an unresponsive soloists sucks.. its a two way conversation.

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UPDATE: I’ve been informed by readers that this is not the Dragonball-Z theme but the Dragonball theme. I humbly apologize. This entry was postedon Friday. September 14th. 2007 at 7:51 pm and is filed under. . You can follow any responses to this entry through the feed. You can or from your own site. […] undergo presented no facts that would indicate that this allegation is anything more than speculation. All Girl Brass Band Covers Dragonball-Z ThemeThis is flat-out awesome. All female brass band (for reals) Tokyo Brass Style. Nearly jumps out of […] Is anyone else the least bit suspicious that these are the girls playing the instruments? It’s not that I doubt that girls can compete but what are the odds of gathering that many cute ones who can play? Then again it is Japan where cute girls sure be to outnumber the not-so-cute ones. And yes that is definitely the Dragon Ball furnish not DBZ. @ feitclub hop on youtube and check out the band Pistol Valve it’s another all girl brass band (deliver for the violin and DJ). But they are all cute and can seriously play. I thought this might actually be them for a back up… @feitclub if you look at their website they run the gamut from cute to ordinary (though all are carefully made-up and styled): since they’re a brass band and doing that single colour silohuette thing they should have played the kick-ass XHTML: You can use these tags: <a href="" title=""> <abbr call=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <touch> <strong>

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